And there will be open access to other music videos Ebba Jahn made with and for Paul Hubweber in recent years.
You will find them right below this post...
Wer schon Videomaterial von Performances, Ausstellungen oder Konzerten hat und sich daraus eine Montage /Videocollage mit Titel, Text und Musik wünscht, denjenigen biete ich an, dies in nächster Zeit zu günstigen Konditionen zu machen.
ENGL.: Who has video material of their performances, exhibitions or concerts and wants a video collage with titles, texts and music made from it? I offer editing of short films / videos for the coming months.
Auf dieser Seite zeige ich zu speziellen Anlässen meine Kurzfilme für einige Tage.
See some of my new short films via this page for a few days.
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| Photo: Paul Steuber |
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| Odile Kennel Photo: Verlagshaus Berlin | |
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| Charlotte Keeffe |
Consider a donation to Ebba's distribution fund?
paypal.me/EbbaJahn or via GoFundMe
Want to invite any video to your culture program?
Want the password to see the video after the few days?
email: info@EbbaJahn.com
A women's arts interplay with images and recordings by the Oxford Improvisers in this order of appearance:
Suzanne Healey - tone woods
Jill Elliott - viola
Clare Woodham - bass clarinet with Emma Wellings - djembe
Camilla Cancantata - vocals, piano
Rosalind Bleach - viola
Lizzy Spight - vocals, flute, dance
Nini Sakhri - piano, gongs, soundscape, vocals
Encaustic Paper Pairs by Ulrike Hasenburg
Video Collage by Ebba Jahn
5:30 min. HD 3/2021
Programmers, please request viewing link or send your festival waver to
info@EbbaJahn.com
Consider contribution to the distribution fund
and receive art or dvds in return - thank y'all!:
https://gofund.me/5fb28f69
http://paypal.me/EbbaJahn
Inspired by a call from Zebra Poetry Festival in Berlin for TJ Dema's poem.
Written and spoken by Tjawangwa TJ Dema,
a published poet and educator from Botswana, Africa,
from her poetry collection The Careless Seamstress
Audio Production: Haus für Poesie / lyricline.org, 2013
Music from CD Isla Decepción - Fumarole Bay
by trio Sverdrup Balance - Jean Michel Van Schouwburg, Yoko Miura, Lawrence Casserley
Film Festival Premiere -
PAPAYA ROCKS FILM FESTIVAL
"The third edition of Papaya Rocks Film Festival Online Edition will take place between 22nd - 28th February 2021 at cinesco.com.
"The Creek will be shown in Block 3.
A festival pass for all days costs 10 Pound.
https://papaya.rocks/en/brands/papaya-rocks-film-festival
Film #173 in collection of
http://wake-up.engad.org/open-call-shut-down/
DAS WANDERN
...ist des Müllers Lust
From Paul Hubweber's series HeimARTlieder
Paul Hubweber - Trombone
Pinguin Moschner - Tuba
Video Duett by Ebba Jahn 4'
FRÜHER TAU
from the series HeimARTlieder
by
Paul Hubweber - Trombone
Pinguin Moshner - Tuba
Video Duett by Ebba Jahn 2'
Abbey Duet
From cd Album HOMESONGS
by
Paul Hubweber - Trombone
Joscha Oetz- Double Bass
Jazz. Genau hingucken: Die meisten dieser Stücke sind bereits am 24. Februar 2020 eingespielt worden, einige wenige live am 13. September. »Homesongs« verweisen also nicht auf die deprimierende Situation, Musik derzeit nur im Homeoffice der eigenen Seele hören zu können. Umgekehrt: Hubweber, der Posaunist, und Oetz, der Kontrabassist, gehen vom »Home« aus, von einfachen Liedern, »Horch, was kommt von draußen rein«, oder Blues-Klassikern (Blind Faith!), die sie - oder vielmehr: wir alle - aus ihrer Kindheit und Jugend kennen, Lieder, die wir zu Hause gehört haben, Ablagerungen von Melodien und jener Art Swing, die man dann »Ohrwurm« nennt.
Diese Ohrwürmer verwandeln Oetz und Hubweber lakonisch und ohne falsches Sentiment in knappe Skizzen, denen nichts fehlt, in Lieder, mit denen man sich wieder der Welt öffnet und nach draußen geht, sich der eigenen Geschichte sicher ist und bereit, neue Erfahrungen zu machen. Ja, das ist »traditioneller« Jazz - aber im radikalstmöglichen Zugriff gespielt. Keine Scheu vor Melodien, nur spielen sie sie gleich sam nackt: in offener Form und in einem minimalen Setting, in dem man nichts verheimlichen kann. So lässig, wie Hubweber und Oetz auf treten, haben sie tatsächlich nichts zu verheimlichen.
Wer unbedingt Referenzen braucht, der sei auf ein imaginäres Meeting von Charlie Haden und Roswell Rudd verwiesen, die einst im Tosen des Free Jazz für die Schlichtheit der Form eintraten. Hubweber und Oetz kommen aus dem Tosen der Kölner Jazz- und Improvisationsszenen und schauen mit staunender Schlichtheit auf die Welt - optimistisch. Felix Klopotek
In meinem shop gibt es die besprochene CD HOMESONGS:
https://www.discogs.com/Paul-Hubweber-Joscha-Oetz-Homesongs/release/16669143
Review engl. translation: Felix Klopotek in Kölner StadtRevue 2/2021:
HOMESONGS Paul Hubweber / Joscha Oetz Homesongs (Nurnichtnur / Berlston)
Already publishedJazz. Look closely: Most of these pieces were recorded on February 24, 2020, a few live on September 13. “Home songs” do not refer to the depressing situation of currently only being able to listen to music in the home office of your own soul. Conversely: Hubweber, the trombonist, and Oetz, the double bass player, start from the »Home«, from simple songs, »Listen, what's coming in from outside«, or blues classics (Blind Faith!), which they - or rather: we all - know from childhood and youth, songs that we heard at home,
deposits of melodies and that kind of swing that is then called "catchy tunes".
Oetz and Hubweber laconically and without false sentiment transform these catchy tunes into short sketches that don't lack anything, into songs with which one opens up to the world again and goes outside, is sure of one's own story and is ready to make new experiences. Yes, that is »traditional« jazz - but played with the most radical possible approach. Not afraid of melodies, they just play them naked, as it were: in an open form and in a minimal setting in which nothing can be concealed. As casual as Hubweber and Oetz appear, they actually have nothing to hide.
Anyone who absolutely needs references should be referred to an imaginary meeting between Charlie Haden and Roswell Rudd, who once advocated the simplicity of form in the roar of free jazz. Hubweber and Oetz emerge from the roar of the Cologne jazz and improvisation scenes and look at the world with astonished simplicity - optimistically. (Translation Ebba Jahn)
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FICE Festival Internacional de cine Ensenada Buenos Aires
We see a webcam surveillance video of a harbour entrance on a foggy day in Cuxhaven, Germany. A sound of a fog horn extends into film music, a contemporary composition for his trombone by Paul Hubweber.
Ships come in slowly and the first stanza of the poem "Fog Horns" by poet David Mason from Colorado appears slowly and in writing first.These three elements - webcam image, poem, trombone music - appear in the video as if they were always meant for each other...
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| Fog Horns by Arthur Dove, 1929 |
16.4.20 - Poet David Mason has just retired fom work as professor at the English Department Colorado College in Colorado Springs USA:
I asked him what I could say during the Cadence Festival Zoom Hang event on 4/18?
"You can say I'm proud to have my poem featured in your film. I wrote the thing some years ago, while looking at a painting called Fog Horns by Arthur Dove.
Somehow I fell into five-syllable lines with some rhymes.
I enjoyed the way the form encouraged me to break out of simple logic into mood.
I'm in Tasmania, now - my home for rest of life..."
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| Fog Horns by Arthur Dove, 1929 |
The painting also visualizes the first three fog horn sounds of the video. Paul Hubweber heard it and while seeing the still silent rest of the film, he chose from his archive his composition Trombone Parts from Ab und Auf for the video.Looking forward to the European Festival Premiere at:
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| 28.8. - 6.9.20 www.fifnl.com Labo section program I | |
***
15.8.20: FOG HORNS was selected by Videobardo - the Videopoetry Festival in Buenos Aires.
I'm delighted that we'll be able to create a Spanish video version.
The great poet RHINA P. ESPAILLAT has translated the poem for this video.
Buenos Aires, Argentinien 2020
VideoBardo, founded in 1996 will be realised throughout the year in different cities and venues
around the world and at a CENTRAL WEEK in Buenos Aires, Argentina on
dates to be defined.
https://videobardo.wixsite.com/home
UPDATE 11/2020: Videobardo postponed to 2021.
***
The World Film Festival Premiere took place Saturday 19th of April, 2020 - due to lockdowns online for 24 hours in the program Better Left Unsaid at
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nwfilmforum.org/cadence
Better Left Unsaid
Not silent, these video poems emphasize language as an auditory experience, a graphic experience, and a cultural experience. A dying language left untranslated, constraints leaving language limited, and limited language leaving emotional threads through found and filmed footage—this screening leaves room for inference and poetic impressions. — April 19 at 7:30pm PST |
