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| Odile Kennel Photo: Verlagshaus Berlin Her poem: Nach Pasargada /german and engl. | |
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| Charlotte Keeffe |
SCREENINGS
Mopomoso TV June Edition, premiere June 20, 2021
https://www.youtube.com/watch?v=YDLA8ZOt1Lw
with a brief outro Zoom conversation between Ebba Jahn and Charlotte Keeffe who is also a team member of Mopomoso.
the online MASS Magazin in March included Ekphrases
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| Photo: Paul Steuber Consider a donation to Ebba's distribution fund |
KÖLN - Kunst gegen die Wand
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Programm mit |
&
FRÜHER TAU
from the series HeimARTlieder
by
Paul Hubweber - Trombone
Pinguin Moshner - Tuba
Video Duett by Ebba Jahn 2'
The title's source:
Only through art can we get outside ourselves
and know another's view of the universe
which is not the same as ours... Marcel Proust
It consists of found poetry in free form also called cento*, combined with
animations depicting the universe by Julius H from Germany, and
accompanied by improvised music by the intl. trio Sverdrup Balance.
For the first time ever hear the voice of the man in the moon...
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| See it here: filmpoetry.org | Video Art 2021 |
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| Quotation by Hans Jean Arp in Another's View of the Universe Video Poem by Ebba Jahn, HD 4:00 | 6.2020 |
1. Lacuna Festival Cabaret 2020
First Film in the cabaret hour
HOMESONGS HeimARTlieder Selfie-Video Duets by Paul Hubweber
Shortfilms with his music by Ebba Jahn.
4,00 € via Paypal
Receive link with password to this
one hour long program:
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| Photomontage by Ebba Jahn with a Paul Hubweber Photo by Rudolf Sukrow |
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| Paypal your amount and receive ... |
New is a Paul Hubweber Showcase with some videos openly published for the first time - 11 short videos to freely choose from for
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Next Festival Appearance:
July 2 - August 1, 2021
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| Lacunafestivals.com |
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| Latvia in April |
A women's arts interplay with images and recordings by the Oxford Improvisers in this order of appearance:
Suzanne Healey - tone woods
Jill Elliott - viola
Clare Woodham - bass clarinet with Emma Wellings - djembe
Camilla Cancantata - vocals, piano
Rosalind Bleach - viola
Lizzy Spight - vocals, flute, dance
Nini Sakhri - piano, gongs, soundscape, vocals
Encaustic Paper Pairs by Ulrike Hasenburg
Video Collage by Ebba Jahn
5:30 min. HD 3/2021
Programmers, please request viewing link or send your festival waver to
info@EbbaJahn.com
Consider contribution to the distribution fund
and receive art or dvds in return - thank y'all!:
https://gofund.me/5fb28f69
http://paypal.me/EbbaJahn
Inspired by a call from Zebra Poetry Festival in Berlin for TJ Dema's poem.
Written and spoken by Tjawangwa TJ Dema,
a published poet and educator from Botswana, Africa,
from her poetry collection The Careless Seamstress
Audio Production: Haus für Poesie / lyricline.org, 2013
Music from CD Isla Decepción - Fumarole Bay
by trio Sverdrup Balance - Jean Michel Van Schouwburg, Yoko Miura, Lawrence Casserley
Film Festival Premiere - Online:
https://papaya.rocks/en/brands/papaya-rocks-film-festival
Film #173 in collection of
http://wake-up.engad.org/open-call-shut-down/
DAS WANDERN
...ist des Müllers Lust
From Paul Hubweber's series HeimARTlieder
Paul Hubweber - Trombone
Pinguin Moschner - Tuba
Video Duett by Ebba Jahn 4'
Abbey Duet
From cd Album HOMESONGS
by
Paul Hubweber - Trombone
Joscha Oetz- Double Bass
Jazz. Genau hingucken: Die meisten dieser Stücke sind bereits am 24. Februar 2020 eingespielt worden, einige wenige live am 13. September. »Homesongs« verweisen also nicht auf die deprimierende Situation, Musik derzeit nur im Homeoffice der eigenen Seele hören zu können. Umgekehrt: Hubweber, der Posaunist, und Oetz, der Kontrabassist, gehen vom »Home« aus, von einfachen Liedern, »Horch, was kommt von draußen rein«, oder Blues-Klassikern (Blind Faith!), die sie - oder vielmehr: wir alle - aus ihrer Kindheit und Jugend kennen, Lieder, die wir zu Hause gehört haben, Ablagerungen von Melodien und jener Art Swing, die man dann »Ohrwurm« nennt.
Diese Ohrwürmer verwandeln Oetz und Hubweber lakonisch und ohne falsches Sentiment in knappe Skizzen, denen nichts fehlt, in Lieder, mit denen man sich wieder der Welt öffnet und nach draußen geht, sich der eigenen Geschichte sicher ist und bereit, neue Erfahrungen zu machen. Ja, das ist »traditioneller« Jazz - aber im radikalstmöglichen Zugriff gespielt. Keine Scheu vor Melodien, nur spielen sie sie gleich sam nackt: in offener Form und in einem minimalen Setting, in dem man nichts verheimlichen kann. So lässig, wie Hubweber und Oetz auf treten, haben sie tatsächlich nichts zu verheimlichen.
Wer unbedingt Referenzen braucht, der sei auf ein imaginäres Meeting von Charlie Haden und Roswell Rudd verwiesen, die einst im Tosen des Free Jazz für die Schlichtheit der Form eintraten. Hubweber und Oetz kommen aus dem Tosen der Kölner Jazz- und Improvisationsszenen und schauen mit staunender Schlichtheit auf die Welt - optimistisch. Felix Klopotek
In meinem shop gibt es die besprochene CD HOMESONGS:
https://www.discogs.com/Paul-Hubweber-Joscha-Oetz-Homesongs/release/16669143
Review engl. translation: Felix Klopotek in Kölner StadtRevue 2/2021:
HOMESONGS Paul Hubweber / Joscha Oetz Homesongs (Nurnichtnur / Berlston)
Already publishedJazz. Look closely: Most of these pieces were recorded on February 24, 2020, a few live on September 13. “Home songs” do not refer to the depressing situation of currently only being able to listen to music in the home office of your own soul. Conversely: Hubweber, the trombonist, and Oetz, the double bass player, start from the »Home«, from simple songs, »Listen, what's coming in from outside«, or blues classics (Blind Faith!), which they - or rather: we all - know from childhood and youth, songs that we heard at home,
deposits of melodies and that kind of swing that is then called "catchy tunes".
Oetz and Hubweber laconically and without false sentiment transform these catchy tunes into short sketches that don't lack anything, into songs with which one opens up to the world again and goes outside, is sure of one's own story and is ready to make new experiences. Yes, that is »traditional« jazz - but played with the most radical possible approach. Not afraid of melodies, they just play them naked, as it were: in an open form and in a minimal setting in which nothing can be concealed. As casual as Hubweber and Oetz appear, they actually have nothing to hide.
Anyone who absolutely needs references should be referred to an imaginary meeting between Charlie Haden and Roswell Rudd, who once advocated the simplicity of form in the roar of free jazz. Hubweber and Oetz emerge from the roar of the Cologne jazz and improvisation scenes and look at the world with astonished simplicity - optimistically. (Translation Ebba Jahn)
Included in Programs:
PAUL HUBWEBER SHOWCASE (Ticket on top right of this blog)
MOPOMOSO TV MAY MASH 2021
